Is it possible to be future proof?

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Is it possible to be future proof?

Future-proofing a product, system or organisation gives it the ability to continue having value into the distant future. It stops the item becoming obsolete. But in these unprecedented times of continuing change, is it possible to be future proof? The young people from Zest’s new Youth Advisory Board have been discussing that question in recent weeks - discussions that indicate where they may lead Zest, whilst also giving an insight into how young people feel about their own future.

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A Year Like No Other

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A Year Like No Other

Well, 2020 has been quite a ride! It’s definitely not been the year we’d planned. At times we’ve cried about the projects we’ve lost, whilst at other points we’ve relished the opportunity to experiment and try new things. 2020 may have been the worst, but there is still so much for us to celebrate. So here goes…

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Gen-Z and the aftermath of the General Election: what Young People can teach us

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Gen-Z and the aftermath of the General Election: what Young People can teach us

During the afternoon of the vote for the 2019 General Election, #youthquake was trending in the echo chamber of Twitter, with hundreds of thousands of tweets sharing expectant excitement of the outcome the next generation could bring. Like 2017, we know the rest of the story. The majority of voters aged 18-24 did actually vote for Labour, but were outnumbered by the older generations. So what is the story for those young people?

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Youthquake Q&A with Toby Ealden

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Youthquake Q&A with Toby Ealden

Zest’s Artistic Director, Toby Ealden, has been making theatre for young audiences for over sixteen years, including youth theatres, school tours and national touring. His past work includes working as the youth theatre director for Nacro, the national crime reduction charity, before establishing Zest Theatre in 2007. We chatted to Toby to find out more about Youthquake and how it came to be.

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We Deserve Better - Letting Young People speak for themselves

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We Deserve Better - Letting Young People speak for themselves

Our second week of Youthquake research and development brought us to Hartlepool. The young people in Hartlepool had a strong sense that the system is stacked against them and apathetic to their needs. Within these stories, however, there was a determination that the narrative of deprivation in Hartlepool would not be an endless cycle. Not all young people want to leave their home city for something better – they wanted to solve the problems and change their home for the better.

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How To Start A Youthquake?

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How To Start A Youthquake?

Catch up on our first week of Youthquake Research and Development, as the Zest Creative Team headed to Norwich and Lincoln to delve into the lives and minds of teen Britain. We were excited. We were nervous. There’s nothing quite like starting to write a new show. The possibilities of what you could create are almost endless. At the end of R&D phase, the blank white page you started with is full of stories, all crafted together to make a proper script.

But where do we start?

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Keys For Change: Unlocking Unheard Voices

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Keys For Change: Unlocking Unheard Voices

What do we do when all our artistic experience and knowledge is challenged? On a recent participation project, Zest had to rethink everything they knew about making theatre, shaking the foundations of their process to its' core. What we discovered about ourselves and our participants has changed our practice for the better.

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Post Traumatic Growth - the psychology behind Thrive

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Post Traumatic Growth - the psychology behind Thrive

For the last twenty years or so, psychologists have studied the incredible strength of character that can emerge in a minority of people when they face painful events. Twenty years of research tells us that these events needn’t destroy us – in some cases, they can make us stronger. Some people become wiser, others kinder, others more connected. Pain develops people in all kinds of ways. This field of research is called Post Traumatic Growth, and forms the basis of the psychology surrounding the characters in Thrive.

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Interview: Dan Morgan - Life On the Road

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Interview: Dan Morgan - Life On the Road

You can wake up in one city, deliver a workshop in another and do an evening performance in another before heading back to another hotel. Most of the work I have done has been for young people and it isn’t unusual to engage with over 500 people in a day. A lot of the time, we take theatre to people that may never have experienced it before and it’s great to hear their stories when you chat to them afterwards and see how they connected with the work. For me, that’s a pretty powerful feeling.

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Stripping Away the Actor’s Ego – performing immersive theatre for young audiences

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Stripping Away the Actor’s Ego – performing immersive theatre for young audiences

As an actor, I’ve been very comfortable with immersive theatre for a while. In 2014 I took an immersive one-on-one piece (one performer, one audience member) to the Edinburgh Fringe Festival. And I performed it a lot. I’m talking 5 hours a day, 6 days a week for a whole month. Audiences laughed with me, cried with me, shared food with me. One person even asked me out on date. (I didn’t realise it was actually a date until I was on it – yep, that was awkward.) I was pretty sure I’d totally sussed out the immersive theatre vibe and nothing could throw me. But of course, immersive theatre with younger audiences is a whole different game.

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Understanding Difference - a look back on the R&D for Zest's 2017 production

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Understanding Difference - a look back on the R&D for Zest's 2017 production

Living in Britain, it could be hard to imagine growing up in a country like Australia. Over time you realise people make judgements about you based on where you’re from before getting to know you. For some, the questions (and the judgements) are far worse than “do you have a pet kangaroo?”

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